London…but as we know it?

January 15th, 2010 by Tom Vickers

After concentrating on getting the play up on its feet the last few rehearsals, yesterday afternoon we went back to the drawing board and did some good old-fashioned impro, hotseating, and discussion. Most of this revolving around my character the Party Guest and his world.

Throughout the play we see life as Elliot and his friends see it - a struggle to survive and to get by in a London that seemingly has no order. However, when we finally meet the Party Guest he's dressed in a smart suit and states that he works in the City. After all that has been witnessed and discussed throughout most of the play, does it really seem like a "City" exists? We explored how this London possibly works. Are there segregated parts perhaps? The East End is seemingly the most dangerous area. Where are the good areas? Is the City a good area?? Is the City the only good area??? Is the City just a stone's throw from becoming a dangerous area???? Is "good" even the right word to use?????!!

We also discussed, through hotseating and impro, the idea of fantasy. Is Party Guest's fantasy the kind of thing that can easily be made reality? With real amateur violent footage, both sexual and non-sexual, so readily available on the internet I guess the answer would be yes. There is always someone who will be willing to find a way to make your fantasy real, however extreme, if you are willing to pay for it. But how on Earth does a well-off City Boy get in touch with someone like Spinx to make this happen?!

I could quite easily ramble on for ages but I won't. These are many of the points we have been exploring. One of the great things about this play is that there is constantly more to explore and discuss.

Anyway I'm off to eat a butterfly. A red with silver stripes I reckon. Yum! Bang bang bang. Take care and please book tickets. Thanks.

Tx


Good night

January 15th, 2010 by Matt Granados

Hello everyone, my name is Matt and I'm playing Elliot. I hope you had a lovely christmas. 

Yesterday we had a great rehearsal in which I learnt that too much responsibility can cause even the most conscientious of characters to snap, and seek an escape; afterall we are all human. In this world however, the only escape is a mental one and one that leads to a lack of control, which can be dangerous in such a savage world. (I'm talking about the world and characters of the play here, don't worry I haven't just lost the plot!)

I am also realising how much we use our animal instincts when put under pressure to survive and how often in my own life I can easily get caught up in matters that can only be described as trivial, when compared to life and death. This animal sixth sense is gradually growing in the company, which is exciting to be a part of. Is it a sense that is slowly being lost through the use of technology and removal of human contact? Well, I'm not exactly helping this sat at the internet. So on that bombshell I shall thank you for your time and retire to talk to someone face to face. On the phone. Good night.

Best Wishes

Matt


On Being Spinx

January 11th, 2010 by Ben Wigzell

OK so rehearsing is well under way and as a cast we are getting on so well. A great relaxed yet hard working atmosphere has been set by Effy and we can't wait to progress to the next level.

I said I would blog about a days impro between Spinx and Duchess, so here it goes:-

Fri Jan 8th I went to Debs flat and with her wearing a blind fold I directed her round Bethnal Green, on the tube then to the park and ended at my flat on Roman Road. We decided to do this because the Duchess who is blind is dependant on Spinx and we both needed to experience what its like. For her it was the aspect of having complete trust in me to lead her. For me it was dealing with someone that needs constant care. We found that her latching on to my arm whilst I went about at normal pace worked and I described as much of the surroundings as possible. Steps could be a problem but it just took some talking through. Also I did walk into two lamp posts while I was concentrating on Debs! who decided it was a good idea to put lamp posts in the middle of the pavement?

Feeding time was hard, I cooked us some food (it was well nice grub!) and had to feed her which for Debs was quite stressful. I stopped everything and just stared at her, Silence! she looked helpless and lonely then suddenly I felt lonely and realised that this would be Spinx's life so he must really love the Duchess to do this for her.

These characters aint got it easy!

Speak Soon

Spinx


Mercury Fur Tickets on sale NOW

January 9th, 2010 by admin

Tickets for our latest show Mercury Fur, by Philip Ridley, are on sale now.

Buy Tickets Here
Learn more about Mercury Fur


Mercury Fur by Philip Ridley

January 9th, 2010 by admin

Mercury Fur by Philip Ridley

by Philip Ridley
a theatredelicatessen production

Directed by Frances Loy
Lighting & Design by William Reynolds


“I love you so much I could burst into flames”

theatredelicatessen to stage first London revival of PHILIP RIDLEY’S infamous Mercury Fur at a brand new alternative theatre space in the heart of the West End.

In the savage wastelands of London, the East End has become a battleground and staying alive has become a day-to-day struggle. There, a gang have discovered the only way to survive is to deep-freeze their emotions and cater to the darkest fantasies of the rich.

Together, they have prepared a party. The child has been woken from his drug-induced sleep. The make-up applied and the meat hook is glistening. Everything is in place. Now all that’s needed is a party guest…

theatredelicatessen, the leading company in London’s emerging Pop-Up Theatre scene, are staging the first major revival of Philip Ridley’s visceral Mercury Fur – his most controversial play to date. We're hugely excited to be working so closely on this project with Phil, one of our generation's most prolific and inventive playwrights.

Since its explosive premiere Mercury Fur has been performed throughout the world. As we enter a new decade, with all its unease and moral dilemmas, this brutal vision of love and violence is more relevant than ever.

This is theatredelicatessen’s first production in their new performance space – a derelict four-storey nestled behind Selfridges and a stone’s throw from St Christopher’s Place.

Previous critical acclaim for Mercury Fur includes:

“There are moments that almost make your heart stop” THE TIMES

“A play for our time...it is a play you need to see” THE SUNDAY TIMES

“Grippingly visceral...Brutal and fascinating” THE INDEPENDENT

“Stunning, superb...drags us into a circle of hell while affirming the indomitability of humanity's best instincts. Unforgettable.” VARIETY

“Brutal, heartfelt and authentic...the plot is sickening and the characters are almost irredeemable. But in that 'almost' Ridley has found the human soul and driven a meat-hook right through its gut.” LA THEATRE REVIEW

Mercury Fur runs Tuesday - Saturday, 9th February - 13th March 2010.

Tickets on sale now