Mercury Fur is SOLD OUT

March 11th, 2010 by Frances Loy

Mercury Fur is completely sold out!

The Theatre Delicatessen same day booking phone has been stolen - we are NOT able to call back anyone leaving messages on the phone to let them know there are no tickets left. Apologies.

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Running in Stillettos

January 26th, 2010 by Isaac Jones

Well, our first run of the whole play was on Sunday, as well as what I am sure will be very flattering rehearsal shots.  I think we all felt that it was really important to get the whole piece up on its feet for the first time.   Especially as we were able to do it in the performance space.  I, of course, spent most of the run negotiating the new floor with my stillettos!  As the title of the blog suggests, it is the running that is the problem.  Not to worry, I don't feel too unstable.

The play is beginning to feel like a whole, and although we still have a lot of work to do, the shape is there.  Effie's main note was about lines - the pace of this show is such that we need to know our lines, and perhaps more importantly our cues, so precisely that we can reel them off without a single break.  Phil's writing is so rhythmic, and for me the run showed that we cannot interrupt the rhythm at any cost.  It's a challenge, but I think we're getting there.

As for stillettos - well, I am sure that in 2 weeks I will look like a pro.  Even when I'm running across the stage.  No laughing please folks!

Isaac (Lola)


Job Well Done

January 19th, 2010 by Chris Urch

Went and saw Matt in his Almedia debut tonight in the play ROPE. Our boy did us proud, and the play was great. Special shout out to Bertie Carvel who was amazing, and all the ROPE cast who did an excellent job!

Now come and watch us in Mercury Fur, all you Almedia Lovies!

Chris xx


London…but as we know it?

January 15th, 2010 by Tom Vickers

After concentrating on getting the play up on its feet the last few rehearsals, yesterday afternoon we went back to the drawing board and did some good old-fashioned impro, hotseating, and discussion. Most of this revolving around my character the Party Guest and his world.

Throughout the play we see life as Elliot and his friends see it - a struggle to survive and to get by in a London that seemingly has no order. However, when we finally meet the Party Guest he's dressed in a smart suit and states that he works in the City. After all that has been witnessed and discussed throughout most of the play, does it really seem like a "City" exists? We explored how this London possibly works. Are there segregated parts perhaps? The East End is seemingly the most dangerous area. Where are the good areas? Is the City a good area?? Is the City the only good area??? Is the City just a stone's throw from becoming a dangerous area???? Is "good" even the right word to use?????!!

We also discussed, through hotseating and impro, the idea of fantasy. Is Party Guest's fantasy the kind of thing that can easily be made reality? With real amateur violent footage, both sexual and non-sexual, so readily available on the internet I guess the answer would be yes. There is always someone who will be willing to find a way to make your fantasy real, however extreme, if you are willing to pay for it. But how on Earth does a well-off City Boy get in touch with someone like Spinx to make this happen?!

I could quite easily ramble on for ages but I won't. These are many of the points we have been exploring. One of the great things about this play is that there is constantly more to explore and discuss.

Anyway I'm off to eat a butterfly. A red with silver stripes I reckon. Yum! Bang bang bang. Take care and please book tickets. Thanks.

Tx


Good night

January 15th, 2010 by Matt Granados

Hello everyone, my name is Matt and I'm playing Elliot. I hope you had a lovely christmas. 

Yesterday we had a great rehearsal in which I learnt that too much responsibility can cause even the most conscientious of characters to snap, and seek an escape; afterall we are all human. In this world however, the only escape is a mental one and one that leads to a lack of control, which can be dangerous in such a savage world. (I'm talking about the world and characters of the play here, don't worry I haven't just lost the plot!)

I am also realising how much we use our animal instincts when put under pressure to survive and how often in my own life I can easily get caught up in matters that can only be described as trivial, when compared to life and death. This animal sixth sense is gradually growing in the company, which is exciting to be a part of. Is it a sense that is slowly being lost through the use of technology and removal of human contact? Well, I'm not exactly helping this sat at the internet. So on that bombshell I shall thank you for your time and retire to talk to someone face to face. On the phone. Good night.

Best Wishes

Matt